First off, this tip is most beneficial when you have in large sheets of sequenced veneer. But since I did not have any in hand I pulled out this Woodcraft mini-pack to use for this demonstration.
Indexing: When I open up any pack (large or small) of sequenced veneer the first thing I do is grab a pencil and number the pieces in one of the corners. Since the manufacture has sequenced the veneer this will help you keep the the pieces in the order that they were cut from the log. If you intend to do any book-matching with your veneer this will help you in the layout out of that so your growth rings match more closely. (That we’ll expand on in another posting.)
Book-matching: When I start with a simple book-matching project I like to play around and see what pattern will look best for my project. Since most burl is brittle and I don’t want to damage the sheets flipping them over trying to find a good match I simply grab a mirror. This way I can position it anywhere on the top piece of my veneer stack (2 pieces) without worrying about damaging them and I’m able to visually see immediately what the resulting match will be.
Once I find a match I like I use the mirror as a guide and grab a pencil to put a couple of registration marks on the veneer. From here I go to registering the pieces, taping them together, and start cutting them to size to use with the project.
Quad Book-matching: If I’m going for a really cool look on say a table top I’ll grab 2 mirrors (oh and 4 pieces of veneer) and hold them at a 90 degree angle and can see visually see what that will look like. By doing this I’m able to move all over the piece (remember the note about large pieces of veneer) until I find the pattern that really pops!
Other Uses: Also by using two mirror you can bring the angle in (under 90 degrees) and use the same procedure to get an idea of how a radial book-match would look.
Popularity: 17% [?]
Today I received my copy of “Dovetailing Apprenticeship” in the mail. It is one I’ve been looking forward to since Chuck told me he was putting the finishing touches on it.
So when Shannon sent the tweet about it being available I immediately went to the “Acanthus Workshop” web site & purchased a copy. What follows is my notes/review of the DVD.

Image from Acanthus Workshops LLC
Part 1: The Intro
We start with Chuck explaining dovetails and how with practice you will become faster at making at making them.
From here he continues to explain that for a professional you want to become fast in order to complete your commission since this is how you can make your living.
He also explains how for the amateur that you want to increase your speed so you don’t get bored during your project.
Cause face it, if you get bored with the project the odds of not finishing it goes up! (Something I have been guilty of a time or two in my life.)
During the discussion Chuck also talks about his theory of the history of the dovetail. Using cut away pieces he explains how he thinks it derived from the wedged mortise & tennon joint.
Part 2: The Tools
From here he goes into the 9 tools needed to make dovetails. During this Chuck walks through why he feels they are important/need and expands on what to look for in them.
That are:
- Stable work surface (anything from a good bench to a door on 2 saw horses)
- Vise
- Dovetail saw (he prefers a western style but says to use what you like)
- A modest set of chisels (he prefers Two Cherries due to the weight and thickness of them)
- Marking gauge (any style)
- Bevel gauge
- Small square
- Mallet
- Hold-fast or clamp
Next Chuck explains the importance of using sharp chisels and goes through his 2 step method:
- Starting by using a 10″ diameter white wheel on a grinder with a homemade jig
- Finishing by using 1600 & 4000 whetstones
Part 3: The Triangle Marking System
Now that we have our tools ready we’re ready to start with the layout but before we start Chuck walks us though how to correctly use the triangle marking system. He walks through how to utilize this system so you can keep your parts aligned. This way you always know the inside/outside & tops of all your parts.
With your parts correctly marked you’re ready to address the question of “Pins of Tails” debate. Here Chuck tells you that he prefers pins first most of the time but explains that either will work. It’s just what makes you feel comfortable.
Part 4: The Dovetails
From here you walk through both through dovetails & 1/2 blind dovetails Chucks way. I don’t want to go through this in detail because I don’t want to take away from the DVD.
All throughout the steps are shot zoomed in so you get a good view of how Chuck works. The best part is Chuck included an instructional card that you can take into the shop that explains (in text & photos) both dovetail methods and triangle marking system.
My Conclusion:
Over all the DVD has alot of good informational you can utilize. I look forward to the next one. (Chuck if you’re reading, please make it a secret compartment DVD!)
Popularity: 38% [?]
So let me start off with this: “Have you ever had one of those days where you shouldn’t be in the shop?”
You know, one of those days where everything turns out to be a PITA?!?
Well today was MY day!
Due to our schedules at home/work it’s been a while since I’ve been able to work on the federal inlay table and I needed to finish up the inlay on the apron.
I’ve had the semicircles on the ends done since my blog entry on Stringing Tight Curves. But since then I had not finished “connecting the dots” so to speak until today.
But I should have known better. I wasn’t in the mood to do it.
And I had other junk to do:
- computer & virus updates to install
- the Olympics was on
- laundry to be done
- yadda, yadda, yadda
But I needed to get this project moving. Either that or submit my entry to the “Worlds Longest Time To Complete A Project” contest.
So anyway, against my better judgment, I went out and turned the heaters on so the shop could warm up and then started cutting/trimming pieces of inlay to size and made a quick 45 degree jig to help cut the scarf joints so I could glue the pieces into the my apron.
All in all, I only had 6 pieces to fit and it should have taken about an hour to do (taking my sweet time in all) but NO! Everything that could go wrong did.
It didn’t matter how many times I dry fitted the pieces into my apron, no matter how well the scarf joints went together, every time I put glue into the groove trouble would show its face.
I had 4 pieces just break, one that broke once I had it in but had to dig out with dental tools, (because the glue started setting and fit was that tight) way more glue squeeze out then I intended to clean up, and anything else you could come up with!
But in the end of day I got it all worked out but wow what a pain! So next time you’re not “feeling it” take a hint, it might not be worth it!
BTW as a side note. Dental tools are great for working with inlay but get them from a dentist. The 4 piece set they sell at Rockler are garbage! (Now that’s not a dig at Rockler, just a “impromptu review” of that particular product.)
Popularity: 32% [?]
After viewing lots of blogs, tweets, FB postings and the like I kinda got the feeling that woodworkers are alot like people in what they call the “professional” field.
What I mean is that there seems to be an “Us and Them” type of feeling involving both hand tool and power tool woodworkers. It kinds of reminds me of the old company rivalry of architects & engineers. Both need each other but both despise working with the other.
Now I’m not saying woodworkers despise each other but it does seem we tend to drift to one side or the other.
With that being said I’ve been working on developing an idea/contest in where the woodworking community would bring both sides, if you will, of the craft together in order to learn from each other and allow each woodworker to grow in the craft. This would coincide with expanding to share that knowledge with today’s youth and introduce them into the craft.
Where this idea/project goes I honestly do not know yet. At this point it is completely in its infancy stage. What I do know is that the first step of that idea is getting a little feedback with this short survey.
So if you have a minute I’d appreciate it if you would click the link below and take the survey. Also feel free to leave your comments on this idea and your interest in it.
Project Gabriel
Popularity: 26% [?]
While working on my federal table last weekend, I set my sites on inlaying the curved string on the apron. After several attempt at trying to make the radius buy misting the string and using a soldering iron (and breaking each and every string) I gave up. I was licked and all was lost.
At this point I was seriously wondering why in the world I didn’t just go with three rectangles on my apron instead of getting fancy and laying out curved ends.
So I stomped into the house and started digging up all my books, magazines, printed internet articles, DVDs, VHSs anything do to with inlay methods of work and found – NOTHING!
That was until I sent a distress email to Glen & Chuck asking what in the world I could be doing wrong. (After all I had bent lots of stringing using an iron before.)
Then the suggestion came to think bigger! So with that I traded in the soldering iron for a piece of pipe and torch. And the following is a step by step process on how I was able to make the curved inlay.
Step 1: While soaking my inlay in hot water I put a piece of pipe, about the same size of the bend I want, into a vise and heat it using a torch.

Step 2: After the pipe is heated I take a piece of string and using a piece of flashing as a backer I set the middle of what is to become my curve on the pipe.
Step 3: Using constant downward pressure I slowly pull the string around the pipe. (You will hear sizzling at this point.)
Step 4: I hold the two sides together with one hand while rubbing the back of the flashing with my other. (Think of it as trying to rub out a crease. But be careful because the flashing will be hot!)
Step 5: Release the pressure and take a look at your curve. Make sure it doesn’t have any cracks or splits. (If it does you either did step 3 too fast or the pipe has cooled down too much.)

Step 6: Cut it length and install it.

Once I completed this I went back through all my resources and I found at least 3 different places where this method was demonstrated. (Why is it you can never find anything when you need it?)
Popularity: 56% [?]
This year on New Years Eve day I decided it was time to move the Federal Card Table I was working on along. It had felt like forever since I last worked on it due to the holidays and having to get a second shot for tennis elbow.
After many long discussions about how to complete this with power tools (that would involve elaborate jigs, much set up time, etc..) I decided to break out my Steve Latta stringing tools I purchased a while back. Armed with them (and 96 Rock playing on the radio) I set out for an afternoon of using nothing but hand tools. (Those of you who know me, know this is a big step for me!)
Having already completed the layout work and gluing on my temporary backer blocks I started by setting up the radius cutter and plowing out the curved ends. (Below you can also see where I used a dental pick to help with the clean out.)


From here I set my straight cutter and simply connected the two half circles for each of the 3 sections.


I have to say even though I’m a power tool guy, I did have an enjoyable (and semi-quiet) day of woodworking in peace! I might have to expand on this!!
Popularity: 100% [?]
Recently I’ve been working on a new Federal Card Table for my home. While working on it I decided to use my Lie-Nielsen radius inlay cutter (based off Steve Latta’s design) to make my apron inlay circular vs rectangular. (Photos of that to come)

So prior to just going hog wild on my apron itself I applied a piece of veneer on my apron cutoff and started playing around with the radius cutter. After trying the layout a couple of times I was happy with the job the cutter did but boy I didn’t like the center point hole that was left behind.

After thinking a bit I overcame this by deciding to do all my layout work and mark my cross hairs in pencil on the apron. After that I cut a few shims and marked a set of cross hairs on them and then broke out the hot glue gun to attached the shims to my apron making sure to align the cross hairs from the shim to the cross hairs on the apron.

Now I have a piece of wood that will receive the center point hole that I can remove with a little heat and have zero marks left behind!
Do you have a different way that you would have (or have) attacked this type of issue? Is so share them in the comments below.
Popularity: 25% [?]

Building 18th Century American Furniture is the latest book from Glen Huey and F&W Media. It brings together what I think are the best projects from his first three books together.
The 20 projects are:
- 18th Century Cupboard
- Chester County Tall Chest
- Chippendale Entertainment Center
- Diminutive Dish Cupboard
- Massachusetts Block Front Chest
- Massachusetts Highboy
- Mt. Lebanon Shaker Counter
- New York/Canadian Stepback
- Pennsylvania Chest on Chest
- Pennsylvania Tall Case Clock
- Shaker Press Cupboard
- Shaker Sewing Desk
- Shaker Small Chest of Drawers
- New England Secretary
- Slant-Lid Desk on Frame
- Townsend Newport Highboy
- Sheraton Field Bed
- Seymour Sideboard
- Federal Inlaid Table
- Queen Anne Drop Leaf Dining Table
Now when I heard this was coming out I was both a bit upset but yet excited.
I was upset because I felt the book should have added a new project or two or should have added a few of his best furniture projects from the magazine but I’m sure this was much simpler for the publisher to put together and won’t knock them for that.
But what I liked about this was the fact that I now have ONE book with Glen’s projects (that I would build) out in the shop instead of 3. I say that because with Glen’s first book (Fine Furniture for a Lifetime) I am on my second copy. (I use that book at an idea guide, a project reference, you name it. That book has my favorite woodworking book ever!)
But like all good things his first two books have been remanded so unless you go to Glen’s (WoodworkersEdge.com) site you won’t be able to easily find them. (and now you don’t need to!)
So if you are new to Glen’s work or new to woodworking you’ll really enjoy this book. Its really a step by step book with tons of photos instead of just text with a photo here and there. This way you get to see what he’s talking about.
NOTE: This book is a collection of projects from Glen’s first 3 books:
Here is a photo of my Chester County Tall Chest that I built from his book.

Popularity: 26% [?]
Woodworking and research goes hand and hand so much that we have developed so many ways of doing it. Seems we are always doing the following:
- Collecting every how-to book we can find on a topic
- Subscribing to every woodworking magazine we can find
- Scouring the web for every free plan we can dig up
- Buying museum books covering a specific time period
- Or a combination of all
Now I’ll be the first to tell you I refer to my museum books (and Glen Huey’s) all the time. They are an endless resource of detail and information when I can’t get my hands or eyes near a collection to study for a project.

Tome Reader by Ozyman
Well as the years go on those books are being publish less and less and the ones that are out there are becoming harder to come by and if you find the one you want or need it costs a small fortune!
So with the graces of the internet, more auction houses and bloggers are posting beautiful photos and details online. Now the problems with this is keeping track of them and let’s face it when you need them your computer will crap out and you’ll lose your bookmarks. (Personal experience it talking here)
To help get around this I found a wonderful free tool on the internet (on for my iPhone) that does all that but more for you. It’s called Evernote and if you haven’t seen it, it’s worth its weight in gold!


Some of its features are the following:
- “Type a text note. Clip a web page. Snap a photo. Grab a screenshot. Evernote will keep it all safe.”
- “Everything you capture is automatically processed, indexed, and made searchable. If you like, you can add tags or organize notes into different notebooks.”
- “Search for notes by keywords, titles, and tags. Evernote magically makes printed and handwritten text inside your images searchable, too.”
I’ve used this so much that I’ve graduated from the free version to the pay version. By doing so I’m now keeping track of woodworking projects, work ideas, home photos, blog ideas, you name it and it can’t be easier to use. (NOTE: For $5 a month you get more monthly allowance for uploads & storage with the pay version but if you don’t use the crap out it you’ll never need to think about the pay version!)

I don’t want to waste your time with a tutorial on how I put it to use. I’d rather you go take a look at it and see how great it is.
And no, I’m no way associated or get paid by them. It’s just too cool of a tool to not share!

Popularity: 24% [?]