First off, this tip is  most beneficial when you have in large sheets of sequenced veneer.  But since I did not have any in hand I pulled out this Woodcraft mini-pack to use for this demonstration.

Indexing: When I open up any pack (large or small) of sequenced veneer the first thing I do is grab a pencil and number the pieces in one of the corners.  Since the manufacture has sequenced the veneer this will help you keep the the pieces in the order that they were cut from the log.  If you intend to do any book-matching with your veneer this will help you in the layout out of that so your growth rings match more closely.  (That we’ll expand on in another posting.)

Book-matching: When I start with a simple book-matching project I like to play around and see what pattern will look best for my project.  Since most burl is brittle and I don’t want to damage the sheets flipping them over trying to find a good match I simply grab a mirror.  This way I can position it anywhere on the top piece of my veneer stack (2 pieces) without worrying about  damaging them and I’m able to visually see immediately what the resulting match will be.

Once I find a match I like I use the mirror as a guide and grab a pencil to put a couple of registration marks on the veneer.  From here I  go to registering the pieces, taping them together, and start cutting them to size to use  with the project.

Quad Book-matching: If I’m going for a really cool look on say a table top I’ll grab 2 mirrors (oh and 4 pieces of veneer) and hold them at a 90 degree angle and can see visually see what that will look like.  By doing this I’m able to move all over the piece (remember the note about large pieces of veneer) until I find the pattern that really pops!

Other Uses: Also by using two mirror you can bring the angle in (under 90 degrees) and use the same procedure to get an idea of how a radial book-match would look.

Popularity: 17% [?]

This past week I ventured over to Glen Huey’s shop to use his jointer (mine is in dire need of blade sharpening) to make tapered legs for the federal card table I’m working on. The next day I was chewing the fat with another woodworker at work who asked how I did it with just a jointer.

After several drawings & step by step directions on the white board in my office he looked at me and said “I just can’t see it!” So I told him I’d go home an take a few step by step photos and that’s when the light bulb went off. I remembered that Popular Woodworking posted a video online of the very technique.

So we logged into the web and did a quick search for it so he could “see” it. After viewing Glen demonstrating the technique he looked at me with that “you have to to be kidding me” look. But before he could speak I said “yes, it’s that damn easy and works every time!”

I believe it was Troy Sexton who first came up with this method and shared it with Pop Wood but prior to learning it from Glen I can say I used each and every jig I could find to make this operation easier. It didn’t matter if it involved a tablesaw or a bandsaw it was a pain to set up and get done. But this, it’s super easy, accurate and CRAZY FAST!

So using the code provided by Pop Wood’s player I embedded the video of Glen demonstration the technique.

Give it try cause once you do you’ll use it every time you need to taper legs!

If you’re not a believer yet maybe you’ll enjoy this video of Orianthi featuring Steve Vai performing: “Highly Strung” instead?!? They’re both phenomenal guitar players!

Popularity: 36% [?]

While working on my federal table last weekend, I set my sites on inlaying the curved string on the apron. After several attempt at trying to make the radius buy misting the string and using a soldering iron (and breaking each and every string) I gave up.   I was licked and all was lost.

At this point I was seriously wondering why in the world I didn’t just go with three rectangles on my apron instead of getting fancy and laying out curved ends.

So I stomped into the house and started digging up all my books, magazines, printed internet articles, DVDs, VHSs anything do to with inlay methods of work and found – NOTHING!

That was until I sent a distress email to Glen & Chuck asking what in the world I could be doing wrong. (After all I had bent lots of stringing using an iron before.)

Then the suggestion came to think bigger!  So with that I traded in the soldering iron for a piece of pipe and torch.  And the following is a step by step process on how I was able to make the curved inlay.

Step 1: While soaking my inlay in hot water I put a piece of pipe, about the same size of the bend I want, into a vise and heat it using a torch.

Step 2: After the pipe is heated I take a piece of string and using a piece of flashing as a backer I set the middle of what is to become my curve on the pipe.

Step 3: Using constant downward pressure I slowly pull the string around the pipe. (You will hear sizzling at this point.)

Step 4: I hold the two sides together with one hand while rubbing the back of the flashing with my other. (Think of it as trying to rub out a crease. But be careful because the flashing will be hot!)

Step 5: Release the pressure and take a look at your curve. Make sure it doesn’t have any cracks or splits.  (If it does you either did step 3 too fast or the pipe has cooled down too much.)

Step 6: Cut it length and install it.

Once I completed this I went back through all my resources and I found at least 3 different places where this method was demonstrated.  (Why is it you can never find anything when you need it?)

Popularity: 56% [?]

Recently I’ve been working on a new Federal Card Table for my home.  While working on it I decided to use my Lie-Nielsen radius inlay cutter (based off Steve Latta’s design) to make my apron inlay circular vs rectangular.  (Photos of that to come)

So prior to just going hog wild on my apron itself I applied a piece of veneer on my apron cutoff and started playing around with the radius cutter.  After trying the layout a couple of times I was happy with the job the cutter did but boy I didn’t like the center point hole that was left behind.

After thinking a bit I overcame this by deciding to do all my layout work and mark my cross hairs in pencil on the apron.  After that I cut a few shims and marked a set of cross hairs on them and then broke out the hot glue gun to attached the shims to my apron making sure to align the cross hairs from the shim to the cross hairs on the apron.

Now I have a piece of wood that will receive the center point hole that I can remove with a little heat and have zero marks left behind!

Do you have a different way that you would have (or have) attacked this type of issue?  Is so share them in the comments below.

Popularity: 25% [?]

When I’m gluing up a project I’m always grabbing for my 16oz Titebond glue bottle.  It’s lightweight but still holds enough glue for any glue up I’ve ever had.  (I have carpal tunnel so lightweight is always good!)

Also, I’ve noticed when retailers put Titebond on sale it’s usually the 32oz bottle and I’m fine with that.  Why you ask?

Well almost always the tip of my 16oz bottle is glued shut.  It doesn’t matter if I wipe it off, chip at it or even chew the dry glue off of it. It’s ALWAYS stuck.

So what I do is grab a small bowl of hot water and throw the stupid cap (from the 16oz bottle) in it just as I’m about to clue up a project.  From there I grab the cap off my 32oz bottle and screw it onto my 16oz bottle and go to work.  (They’re the same size)

Then after the clue has had a chance to soften up and off the other cap, I dry it off and put it on my 32oz bottle.

Maybe not the easiest  but I can say issue solved.

Thoughts?

Popularity: 18% [?]